There was a fair maid dwellin'
Made every youth cry Well-a-day,
Her name was Barb'ra Allen.”
The other day I completed another Mountain dulcimer in my Folk Legends series, Barbara Allen. She’s black walnut, with a walnut and pine fingerboard and maple tuning pegs. Even though most of my dulcimers have upside down heart soundholes, they are more 
The song, “Barbara Allen, has been played since at least the 1600s. One of the earliest references to it is in one of Samuel Pepys Diaries in 1666, calling it the “little Scottish tune”. There are countless versions of Barbara Allen, some called Barb’ry Ellen, Barbara Ellen, and Bonny Barbara Ellen. Its origins are somewhere in the British Isles, and both Scotland and England both claim it. The author is unknown. Other versions are found as far afield as Italy and Scandanavia, but there are over 98 versions found so far in Virginia alone. In the late 1800’s, Francis J. Childs compiled and published several volumes of folk music sung in the British Isles. Often, even today, old ballads and folk music is described as Child Ballad number such-and-such.
Version 1:
IT was in and about the Martinmas time,
When the green leaves were a falling,
That Sir John Graeme, in the West Country,
Fell in love with Barbara Allan.
Version 2:
IN SCARLET TOWN, where I was bound,
There was a fair maid dwelling,
Whom I had chosen to be my own,
And her name it was Barbara Allen.
[Scarlet Town is not a town, now, but might have been then. This was a place where cloth was dyed. The city of Lincoln was one such place where cloth of scarlet and green were dyed in medieval times.]
Version 3:
IT fell about the Lammas time,
When the woods grow green and yellow,
There came a wooer out of the West
A wooing to Barbara Allan.
[Lammas today is August 1st. In medieval times, and up into the Renaissance, Lammas was celebrated around the end of July or the beginning of August. It was a time for the early harvests, fairs, and markets. Baking bread from the first wheat harvest on Lammas Day was a custom, and still is with some Christian cultures.]
[West. Again, West Country, or perhaps Wales]
Back in our West Country
I’ve made quite a few dulcimer ancestors and “hybrid” dulcimers this last year, but it’s been well over a year since I made my last Mountain dulcimer, Matty Groves, which was another in the Folk Legends series. Other Folk Legends dulcimers I’ve made and sold in the past are Lily of the West, My Creole Belle, Ol’ Black Joe, and Anna Thea. Examples of these carvings are in the book, “Ronald Cook, Craftsman”, by Stella Sexmith. (Available through me, or you can order through booksellers. Ask for ISBN #9 780615 275796.)
On my bench about 75% carved is the headpiece for my next Mountain dulcimer, “The White Lady”. This will be part of my mythological series of dulcimers. The name refers to a type of female ghost that legend says appears in rural areas, and who is supposed to have died or suffered trauma in life. White Lady legends are found around the world. Common to many of them is the theme of losing or being betrayed by a husband or fiancé. They are often associated with an individual family line, as a harbinger of death. The Irish Banshee is one such White Lady. (Maybe I’ll have it done for Halloween. Br-r-r.)
Show Time!
Coming up this weekend, August 14-16, I’ll be exhibiting at the American Craft Council Show at Fort Mason, San Francisco. (Booth 729.) Two weeks later, over Labor Day Weekend, I’ll be at the Sausalito Art Festival. (Booth 121.) I probably won’t be able to update this blog until after I get back. However, I should have several photos to share of both shows.
Anyway, onward, yes, through the fog.
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